James

James Fact File 

Background information : 

"Blackout is the true story of a 15-year-old boy charged with attempted murder who tries to piece together the events in his life that have brought him into a secure care unit and threaten to keep him there. This short play packs a big emotional punch with its stylistic economy and razor-sharp storytelling."

• abusive father
• "you were poor" - Margaret Thatcher and the resection
• bullied    

http://www.daveyandersontheatre.com/blackout.html

"they used to beat you up for having long hair"

he used to have long hair and this was during the 70s becasue thats when skinheads were at there most....

"the gimp"

"do you go to the grave yards and hang about"

"DO YOU SHAGG DEAD PEOPLE"

SKIN HEAD TRANSFORMATION

"the doc martins, braces ... the bomber jacket"

"watch films like romper stomper and american history x..."

"you would listen to music, the guritar , the bass that beats into you."

 i dont think be would be listening to stuff like this

even though i dont think james was deep down a raist he wouldnt have listend to neo nazi music 

Neo-Nazi Hate Music: A Guide

Introduction

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In the United States, racist songs praising the Ku Klux Klan or promoting segregation have existed for many years.  But starting in the 1970s, a new phenomenon emerged:  the creation of an entire genre of music predicated on racism.

Today, hate music plays a central role in the white supremacist movement in the U.S., Europe, and elsewhere.  It is key to many aspects of the neo-Nazi world, but is especially important in three areas:

It is one of the most significant ways neo-Nazis attempt to attract young people into their movement; this source of recruitment is possibly the most important factor in the ability of neo-Nazi groups to expand or even maintain their membership.
   Second, hate music has become an important source of income for white supremacists.  Several prominent white supremacist groups in the U.S. receive a substantial amount or even a majority of their funding from distributing hate music, promoting hate music concerts, and selling accessories and clothing. A significant portion of these materials are distributed in Europe, even in countries where they may be illegal.

Third, and perhaps most importantly, hate music has been instrumental in the formation of a white supremacist subculture.  In the 1960s, neo-Nazis such as George Lincoln Rockwell had little to offer followers except extreme rhetoric.  In the 21^st century, however, white supremacists around the world are linked not only by shared ideas, but by shared customs, fashions, and most crucially, music.  Hate music helps bring haters together into a shared community.

http://archive.adl.org/nr/exeres/32be45ea-7300-477d-bf3e-d01c0c56b809,db7611a2-02cd-43af-8147-649e26813571,frameless.html